Otis Rush left Mississippi in his teens and went to Chicago.
He was involved in the bluesscene by 1955 alongside Buddy
Guy (listen) and Magic
Sam (listen). He was the first of the Young West Siders to cut
a record. His first single "I
Can't Quit You Baby" (listen) made the national R&B
charts in 1956. Moody and unpredictable Rush can give riveting performances
taking blues to another level and even if they are rare, at half
throttle he is still worth listing too.
He recorded "Checking
On My Baby" (listen), "All
Your Love" (listen) and "Double
Trouble" (listen) for Cobra (1956-58), turbulent performances
whose passion for long afterwards seemed hard to equal though "So
Many Roads" Chess (1960) and "Home Work" Duke
(1962) came somewhat close.
Nightmarish experiences with record companies kept him from the
recognition he deserved in the 1960s and early 1970s. Then in the
mid-70s he came back with albums that fairly represented his talent,
like "Rigth
Place, Wrong Time" (listen) (Bullfrog) and "Cold
Day In Hell" (listen) (Delmark). The Japanese tour in 1975
was well received and generated the excellent live album, "So
Many Roads" (listen) (Delmark).
For most of the 1980s Otis Rush was sidelined by depression or
disenchantment but came charging back in the 1990s with the album
"Ain't
Enough Comin' In" (listen) (This Way Up), giving him a
1994 W.C.Handy Award as Male Blues Artist Of the Year, as well as
a Grammy in 1998 for "Any
Place I'm Going"(listen), released on House Of Blues Music
Co.
Otis Rush has been a major inspiration to younger white blues players
in particular. Stevie
Ray Vaughan (listen) named his band after Otis' song "Double
Trouble". Otis Rush continues to perform today and still
resides in Chicago.